Vintage RCA ribbon microphones set up for mid-side. The unidirectional BK-5B ribbon mic uses a labyrith behind the ribbon to create a cardiod pattern. The KB-2A ?Paintbrush? mic is small bidirectional ribbon.
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A Beyer M201N large diaphragm dynamic mic on a Supraphonic snare drum
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EV 635A dynamic microphones in an XY stereo room mic pair
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An original early Shure SM7 (Made in USA) on a 2x12 Bassman Speaker cab. These original SM7 microphones have square holes in the grill and are different in use than the later SM7B microphones. The cab is loaded with a pair of Jensen Blackbird Alnic
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AKG D25 on bass drum. The D25, D20, and D12 were all the same element mounted in different configurations. All three are amazing microphones when healthy - but with poor alignment of the diaphragm, suffer from poor bass response.
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Vintage RCA ribbon microphones set up for mid-side. The unidirectional BK-5B ribbon mic uses a labyrith behind the ribbon to create a cardiod pattern. The KB-2A ?Paintbrush? mic is small bidirectional ribbon.
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Vintage RCA ribbon microphones set up for mid-side. The unidirectional BK-5B ribbon mic uses a labyrith behind the ribbon to create a cardiod pattern. The KB-2A ?Paintbrush? mic is small bidirectional ribbon.

A Beyer M201N large diaphragm dynamic mic on a Supraphonic snare drum
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A Beyer M201N large diaphragm dynamic mic on a Supraphonic snare drum

EV 635A dynamic microphones in an XY stereo room mic pair
? ? ? ?
? ? ?
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EV 635A dynamic microphones in an XY stereo room mic pair

An original early Shure SM7 (Made in USA) on a 2x12 Bassman Speaker cab. These original SM7 microphones have square holes in the grill and are different in use than the later SM7B microphones. The cab is loaded with a pair of Jensen Blackbird Alnic
? ? ? ?
? ? ?
+

An original early Shure SM7 (Made in USA) on a 2x12 Bassman Speaker cab. These original SM7 microphones have square holes in the grill and are different in use than the later SM7B microphones. The cab is loaded with a pair of Jensen Blackbird Alnico speakers.

AKG D25 on bass drum. The D25, D20, and D12 were all the same element mounted in different configurations. All three are amazing microphones when healthy - but with poor alignment of the diaphragm, suffer from poor bass response.
? ? ? ?
? ? ?
+

AKG D25 on bass drum. The D25, D20, and D12 were all the same element mounted in different configurations. All three are amazing microphones when healthy - but with poor alignment of the diaphragm, suffer from poor bass response.